Peking opera, also referred to as Pingju or Jingxi in Chinese, is currently the most influential opera in China. They are often officials who have lost their position or impoverished scholars. Dan refers to any female role in Chinese Peking Opera. the laosheng is a dignified older role. This sub-category includes various kinds of soldiers and heroes. The name is derived from the long pheasant feathers protruding from his scholar’s cap. The various handkerchief movements form one of the huadan character’s special skills. In Beijing Opera, the characters on stage are generally divided into four types, namely, sheng, dan, jing, and chou (male, female, painted face and clown). The deep symbolism hidden on the Chinese stage - Duration: 26:33. As the huadan characters are not as virtuous as the qingyi ladies, their singing technique is lively and more natural. It is clearly related to wusheng or the “martial men” category, since both of them specialise in martial arts and acrobatics. Laosheng roles include generals and high-ranking military officers with a more cultivated disposition than their real life counterparts. Young, beardless male characters are known as xiaosheng (Chinese: 小生; pinyin: xiǎoshēng; lit. These characters sing in a high, shrill voice with occasional br… One more basic variation of the jing type is shuaida hualian or the “somersaulting and fighting hualian”. Chinese opera has a history dating some 2,000 years. in imitation of a monkey, both in acting and in fighting scenes, as well as juggling skills. 'martial laosheng'), older generals who have combat skills. Special skills of this role type include fighting on horseback. Most often they are generals or brave warriors, but sometimes also Robin Hood-like righteous rebels. In the fighting scenes they must master quick and intricate footwork. Laosheng is a dignified older role, these characters have a gentle and cultivated disposition, and wear sensible costumes. The expert handling of the plumes is his special skill. performed as an aging man or a middle-age man with beards. The sheng has numerous subtypes. Similarly to all the other role types, the qingyi characters also have their own dance-like movement techniques, hand gestures, facial expressions, costuming and make-up. The epithet “little hualian” derives from the practice that the chou actors paint only a white patch around their nose and eyes while the make-up of jing or the painted-face characters covers the whole face. Violet symbolises bravery and wisdom; grey is the colour of old villains; gold and silver refer to gods, the buddhas and supernatural beings, while pink is the colour of old age and dignity. Anzahl: 1. Characters belonging to this category are often young generals or other officers, and their movements should indicate youthful heroism. Verkäufer liu xing (JiangSu, JS, China) AbeBooks Verkäufer seit 7. Laosheng(Chinese Edition)(Old-Used) Peking Opera (Episode ed.) Guan Yu, the Chinese god of sworn brotherhood, loyalty and righteousness, and Zhao Kuangyin, the first Song dynasty emperor, are the only 2 characters in the subcategory known as hongsheng (simplified Chinese: 红生; traditional Chinese: 紅生; pinyin: hóngshēng), a red-faced older male. They also wear an apron, as they are often waiters, innkeepers or horsemen. Actors specialising in this category should master singing and the yunbai-style (rhythmic speech) recitation. Of all the role types of Peking Opera they most clearly reflect everyday life and its realities, naturally as comic stereotypes. When expressing their disappointments, they should be able to do it with a certain “bitter sourness”, another quality related to scholars. In the civilian plays the emphasis is on recitation and singing, while the martial plays are characterised by their fighting scenes featuring martial arts and breathtaking acrobatics. The senior male role is Laosheng, a dignified, older bearded man with a gentle and cultivated disposition, acting with decency. Its name is derived from scholars of the Ming period who wore a certain kind of cap as a symbol of their status. A special category of its own is wawasheng or the “infant scholar”, which indicates child roles played by young boys.